《杨白劳》中国民族歌剧男中音咏叹调演唱研究
时间:2020-05-16 22:05 来源:毕业论文 作者:毕业论文 点击:次
摘要歌剧是世界文化艺术宝库中的一块瑰宝,历经时代的不断洗涤仍散发着独特的光芒,自歌剧传入中国,随着中国社会的不断改革和发展,中国民族歌剧已呈现出“百花齐放”的良好局面。歌剧《白毛女》作为中国民族歌剧发展中的一部代表作,为中国民族歌剧的发展奠定了一定的基础。剧中男中音咏叹调《杨白劳》也作为一首经典,为中国民族歌剧男中音的演唱增添了无限光辉。49090 本文从欧洲歌剧与中国民族歌剧的发展史入手,对歌剧《白毛女》的创作背景以及艺术性进行了简要的分析,重点对剧中男中音咏叹调《杨白劳》从故事背景、演唱技巧、艺术处理等方面进行了详细的研究和阐释,通过如此详细的了解与认识,明确男中音在中国民族歌剧发展中的重要地位与作用,为中国民族歌剧创作出更多更好的男中音人物角色提出了相关建议。 毕业论文关键词:中国民族歌剧;男中音;演唱技巧;情感处理;重要地位 China's national opera singing baritone aria research To the "Yang Bailao" as an example Abstract Opera is a treasure of world culture art treasure house, after the era of continuous washing still shine with the light of the unique, the opera was introduced into China, with the constant reform and development of China's society, China's national opera has been showing a good situation of "flowers". Opera "white-haired girl" as a representative work in the development of Chinese national opera, for the development of China's national opera laid a certain foundation. The baritone aria Yang Bailao is as a classic, for China's national opera singing baritone added infinite brilliance. From Europe and the development of China's national opera, opera creation background of the opera "white-haired girl" and artistic quality are briefly analyzed, focusing on the baritone aria Yang Bailao from story background, singing skills, the artistic processing and so on has carried on the detailed research and interpretation, through such detailed knowledge and understanding, a clear baritone in important status and role in the development of Chinese national opera, for China's national opera to create more and better baritone characters related Suggestions are put forward. Key Words: China's national opera; Baritone. Singing skills; Emotion processing; Important position 目 录 摘 要 I Abstract II 目 录 III 绪 论 1 (一)选题的依据和意义 1 (二)选题的研究文献综述 1 (三)本文的创新之处与价值 2 一 中国民族歌剧的发展历程简述 2 (一)歌剧的起源与发展 2 (二)中国民族歌剧的发展史 2 二 男中音咏叹调《杨白劳》艺术分析 3 (一)歌剧《白毛女》的创作背景 3 (二)男中音咏叹调《杨白劳》音乐分析 4 三 男中音咏叹调《杨白劳》演唱分析 8 (一)技术难点分析 8 (二)咏叹调《杨白劳》演唱中的情感处理 10 四 男中音在中国民族歌剧中的地位与价值 (责任编辑:qin) |