摘要山以其复杂而又多变的地貌结构，成为中国人心中特殊的精神寄托，古人往往借山水寄情，抒发情感、寄托情思。有形容“轻于鸿毛、重于泰山”、又有成语典故“愚公移山”，再如“父爱如山”，山的形象在这里已经不仅仅是自然界的“山”了，它具有了多重的象征意义，引发的联想也是多方面的：象征着民族志气、象征着艰难险阻、象征着父亲、象征着一种高度、象征着人类进化中的漫长历程。正因为“山”的这种“宽度”提供给艺术家无限的创作灵感，由此所致艺术作品中的“山形象”丰富而多元、立体且多面。当代艺术作品中也不乏对山形象的追踪，其中的意义与目的指向讨论“古典品质和当代精神的契合”，而山也成为当代艺术家寄情的对象，笔者于当代艺术家尚扬与展望的作品中得到启发，从型和质的角度出发进行创作实践，开掘自己的创作语言，尝试传达自己的关注——“表象与内心”的关系与矛盾。50642
A preliminary study of the device art creation with the "mountain" as the prototype
Abstract
Describe mountains to the complex and changeable landform structure, a Chinese heart special spiritual sustenance, the ancients often borrow landscape gardening, to express emotion, pinning emotion. "As light as a feather, than Mount Tai, and the idiom" foolish old man ". Another example is the" father's love is like a mountain, mountain image here has not only is the nature of the "mountain", it has multiple symbolic significance, triggered by the association is also in many aspects: the symbol of national ambition, a symbol of difficulties and obstacles, symbolizing the father, a symbol of a height, a symbol of human evolution in the long history. Because of "mountain" of the "width" provided to the artist to an unlimited a For inspiration, thus "the image of the mountain" due to works of art in a rich and perse, three-dimensional and multifaceted. Contemporary art works also there is no lack of mountain image tracking, the meaning and purpose of point to discuss "the fit quality classical and contemporary spirit", and the mountain has become the object of contemporary art home gardening, the author in the works of contemporary artists, Shang Yang and Prospect of inspired, from point of view of the type and quality of starting to creation practice, digging their own artistic language, try to convey their attention -- appearance and inner relationships and contradictions.
Key Words: Key words: mountain; composite materials; appearance ; inner
目 录
摘要 1
Abstract Ⅱ
目录 Ⅲ
一、“山文化” 的综述 1
二、“山形象”在艺术作品中的体现 1
三、毕业创作“万象无相”的生成和实践 2
（一）“万象无相”概念的生成 2
（二）装置表现 3
（三）实践作品和生成 3
四、结 语 6
参考文献 7
一 “山文化”的综述
中国的地貌结构复杂而又多变，因此，人们对自然尤其是对山有种崇拜和敬畏感。从上古神话《山海经》开始，书中万物有灵，而其中名字山海两字，充分体现了最早人们对世界的认识。再到宗教祭祀祭天地祭五岳等等，无一不看出人们对山的敬畏。 以“山”为原型的装置艺术创作之初探:http://www.youerw.com/yishu/lunwen_53993.html