摘要审美问题是贯穿于整个现代艺术和美术理论中的核心问题。主客体的审美认识和审美创造,通过审美关系的联结,形成特定的审美观念。主体(观赏者)通过审美实践活动,在审美客体(作品)中发现、感知、认识和欣赏它的美,或把握它的其他美学特征,如崇高、生动以及艺术的真实性、典型性等。这种主客体之间的审美关系也在适时发生变化,审美观念也随时代审美风潮的变幻和价值取向的转移而发生变化。现代艺术自发兴盛以来,审美的界限突破了以往意义上的优美、崇高等感受,逐步走向多元化。审美观念也随之发展变化。伴随着现代艺术出现的现代陶艺也不例外,自出现以来,便以全新的面貌和快速发展变化的特征,迅速改变了受众心目中传统陶瓷艺术的概念。作为艺术核心功能与基本特征之一的审美,也迅速适应瞬息万变的艺术发展之路,适时嬗变,逐步衍生出现代意义上的全新的审美定势和价值观体系。其发展离不开时代背景和艺术发展潮流的制约,以及所处时代大的艺术氛围。本论文通过对现代艺术特征的分析,结合一些具有代表性的现代陶艺家和陶艺作品,对现代陶艺创作中审美趋向的发展和流变轨迹做出大致的分析判断。现代陶艺的审美趋向结合了现代艺术发展中注重情感因素的表达方式,把现代社会中的多元化审美趋势融入到艺术创作活动中,拓展了陶瓷艺术表现语言的丰富性,突出了艺术活动中的社会性与参与性。8853
关键词:现代陶艺;审美;趋向;情感;材料语言
Abstract:
Aesthetic appreciation is a key item in modem art and art theory.People form certain sense of aesthetic appreciation by connecting aesthetic appreciation relations and find,sense,realize and enjoy art beauty by practice.Aesthetic appreciation relmions between subjects and objects are always changing and the sense of aesthetic appreciation is also changing with fashion and value orientation.Modem art has been persifying and is not confined within the traditional idea of elegance and grace.Modem ceramic craft impresses people with new and rapid developing art forms and changes the traditional concept of it.As one of the art functions and primary features,aesthetic appreciation has been generating wholly-new set theory and value system.This thesis focuses on the tendency of aesthetic appreciation in modem ceramic craft by analyzing some representative modem ceramic artists and works.It may conclude that some affection factors are combined into the development of modem ceramic craft appreciation and idea of rebellion and suspicion are taken into art creation.Thus ceramic craft is enriched in art expressive form and both social feature and participative feature are emphasized.
Keywords:new ceramic art; aesthetics ;trend; demotion; material manifest
目录
摘要 1
一、绪论 4
二、关于现代陶艺 4
三、现代艺术创作中的审美趋向问题 5
(一)传统艺术创作中审美趋势的形成 5
(二)现代艺术的审美趋向对现代陶艺的影响 6
四、现代陶艺创作中的审美趋向分析 6
(一)陶瓷材料本身的语言美感 6
(二)陶瓷材料构成性因素形成的视觉美感 6
(三)现代陶艺创作中非材料语言的方面 7
(四)现代陶艺材料和空间的拓展 7
结论 8
谢辞 9
参考文献 10
一、绪论
陶瓷是最古老的传统艺术之一,具有悠远的历史并创造了灿烂辉煌的成就。那些凝聚着历代陶瓷艺人们智慧和心血的陶瓷艺术品,再现了人类文明演进与发展的历史,展现出人类在漫漫历史长河中追求美、向往美、欣赏美、表现美、创造美的审美轨迹,并用实物的方式记录下了人类审美心理发展和变化的历程。可以说:一部陶瓷史,就是一部人类文明史和审美史的缩影。