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摘要：本文主要是研究关于明末清初书法家王铎草书临古的文章。重点探讨王铎草书临古对其风格形成的影响，分别三个时期来阐述：一、认同前贤、微抒己意临仿期；二、参入涨墨、笔力强劲的创变期；三、苍老劲健，磅礴雄浑的成熟期。王铎的书法观念是推崇张芝与二王，他能把晋、唐、宋法和谐融汇，其草书在前人的基础上形成了行距疏空，章法字距紧密的布局，加上渴墨、涨墨并构，造成墨色上干与润的强烈的视觉对比，具有恣肆纵横的气势，在明末清初很具有典型性，具有较高审美价值个性化的创造，对后代也产生了深远的影响。52824
毕业论文关键词：王铎 草书 临古
Abstract :The thesis focuses on the cursive hand of Wang Duo, the calligrapher in the late Ming Dynasty and early Qing Dynasty.It is pided into three parts in order to expound and analyze his cursive hand’s style referring to its origin, impact and the process of evolution.The first part is about the current status of study on his cursive hand. The second one mainly discusses his inheritance of traditions and the form of its style. And the third part is about the influence of his cursive hand.Besides, the form of its style has two parts as well.The one part basically refers to the origin of his cursive hand’s style which derived from the methods of Jin Dynasty, Tang Dynasty and Song Dynasty and was also affected by trend of thoughts of Ming Dynasty. The other one pides the process of evolution into three periods. The first stage is from his thirty--three to thirty--six and he mainly copied other styles. And he came to create his own style from thirty--six to fifty--one as second stage. Then the mature period of his cursive hand was after his age of fifty--one. Wang Duo’s cursive hand had main effects on the ones of China and Japan.
Keywords : Wang Duo cursive hand in ancient
绪论 6
1 王铎艺术成就简介…6
2 王铎草书临古对其风格形成的影响7
2.1 认同前贤、微抒己意临仿期8
2.2 参入涨墨、笔力强劲的创变期…10
2.3 苍老劲健，磅礴雄浑的成熟期…13
3 从“凡学书者以为宗主”看王铎草书的影响14
结 语 …18
参考文献 …19
绪论 王铎身逢改朝换代的乱世，仕途多变，几经坎坷。在以气节自持明、清人眼里王铎都被冠以“贰臣”的名号，因此，他书法上的成就，有一阶段几乎被人遗忘。
王铎降清后，生活态度也发生截然变化。同样降清的好友钱谦益用曲笔之法对王铎的政治立场和人品大加褒扬。他说：
人曰，公之品逸而端，生平规言矩行，动止有常，既入北庭，颓然自放，粉黛横陈，二八递代。按旧曲，度新歌，宵旦不分，悲欢间作。为叔孙昭子耶?为魏公子无忌耶?公心口自知之，子弟不敢以间请也。
这番叙述含蓄地道出晚年王铎内心苦闷，只有借助于酒色来逃避矛盾的现实。除却声色之外，他只有以诗文、书画自娱。他对个人名声已经不抱希望，所以说:“我无他望，所期后日史上，好书数行也。”
王铎要以好书数行留存青史，应该不完全是出于无奈，他热爱诗文书画应该是天性使然，所以才能在书法艺术上取得较高的艺术成就。
时至今日，随着思想的日益开放，也越来越多的人开始关注到了王铎，研究王铎的博士论文有2篇，硕士论文有14篇，而与王铎相关的期刊就有1886篇，由此可见研究他的人越来越多了。他们大多研究王铎书法思想，临帖活动以及草书艺术这几个方面，对他的草书研究大部分人是从较为宏观的角度去研究的，对细节等技法上的研究大部分比较粗略，所以本文更多关注的是他的草书临摹的细节。