摘要随着中国经济实力与文化日益发展的今天，中国人越来越重视传统文化的继承 与发展。这其中，家具与人生活息息相关，越来越多的人想在家具中表现中国的传 统文化，在家具中表现中式设计的魅力。然而，传统中式家具虽然很优秀，但是已 经不能完全展满足当代人的审美趣味，于是，新中式家具概念应运而生。新中式家 具业界内尚未有一个成熟而完整的概念以及标准化的审美体系，还在发展和成熟之 中。本文从从新中式家具的背景意义入手，探索新中式家具设计的现状，发现缺点 和不足，结合密斯凡德罗“少就是多”的现代设计理念，融合中国传统阴阳相生的 思想，讨论新中式家具的材料和结构，大胆做出新中式家具设计的探索和尝试。表 达设计个人的设计主张，以求探索新中式家具的发展方向。83400

毕业论文关键词：新中式；有无相生；less is more；纯净形式；

Abstract With Chinese economic strength and cultural development today, Chinese more and more attention to the development and the development of the traditional culture。 Among these, as people living with Home Furnishing furniture and related things, more and more people want to show China traditional culture in furniture, show Chinese charm in the furniture design。 However, the traditional Chinese style although the furniture is very good, but has been unable to adapt to the fast pace of modern life, so, the new Chinese style furniture concept came into being。 But the new Chinese style furniture in the industry has been a mature concept and aesthetic standard system, are still developing and mature。 This paper from the background and significance of the new Chinese style furniture to explore the status quo, new Chinese style furniture design, found shortcomings and deficiencies, combined with the modern design idea of Mies van der Rohe "less is more", the traditional Chinese thought Chinese fusion , discuss the material and structure of the new Chinese style furniture, make a bold new Chinese style furniture design exploration and try to express the design of personal advocate, in order to explore the development direction of new Chinese furniture。

Key words:new Chinese; without phase; less is more; pure form, Environmental conservation

目  录 

第一章 绪论 1

1。1 新中式家具研究背景 1

1。2 新中式家具研究现状 2

1。3 新中式家具研究目标、研究内容及拟解决的问题 4

第二章 设计调研、方法与意义 6

2。1 用户人群定位 6

2。2 研究过程 7

2。3 研究的意义 7

2。4 研究方法 8

2。4。1 文献法 8

2。4。2 问卷调查法 8

2。4。3 系统分析法 8

第三章 新中式书桌椅设计的美学思想 9

3。1 米斯凡德罗和“少就是多” 9

3。2 老子的道家思想以及中国的留白艺术 10

3。3 道家思想与“少就是多”之间的不谋而合 12

3。3。1“有无相生”与“less is more”