beautiful。 Esperanza describes the house on Mango Street that “ [I]t’s small and red with tight steps in front and windows so small you’d think they were holding their breath。 Bricks are crumbling in places, and the front door is so swollen you have to push hard to get in” (Cisneros, 2009: 4)。 The house here is no longer the representation of a comfortable home or a safe space (李楠, 2010: 71)。
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