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从《千里江山图》探析王希孟青绿山水画的设色艺术

时间:2020-05-30 21:36来源:毕业论文
王希孟的《千里江山图》可谓是青绿山水历史长河中的经典一笔,它的画面色彩绚丽,有着自身独特的特点,属于大青绿山水。它的青绿山水设色层次丰富,非常值得人们去学习和研究

摘要王希孟的《千里江山图》可谓是青绿山水历史长河中的经典一笔,它的画面色彩绚丽,有着自身独特的特点,属于大青绿山水。它的青绿山水设色层次丰富,非常值得人们去学习和研究。风格独特十分具有装饰性,其特有的美感使人们在欣赏中产生心旷神怡的感觉,极大地展现了的中国画的魅力。清代张庚便说过:“画,绘事也,古来无不设色,且多青绿。”对于王希孟《千里江山图》设色艺术的研究,其目的就是通过对《千里江山图》设色特点的逐一分析,一方面帮助人们了解传统的设色技法,感受王希孟的设色艺术,并且更好地发扬与继承青绿山水;另一方面帮助人们从事青绿山水画的创作,从而做到学古而不模古,使得青绿山水在传统的基础上进一步的发展,与现代接轨。50145

毕业论文关键词:王希孟;《千里江山图》;设色;大青绿; 装饰性

 From the analysis of "the A Thousand Li of Rivers and Mountains"Wang Ximeng of the blue and green landscape design art

Abstract

The works of Wang Ximeng "the A Thousand Li of Rivers and Mountains"is the classic of mountains and rivers this kind of landscape painting in the history, the gorgeous color, very unique characteristics, belongs to the large green dyeing art. It is rich in color, and it is worth learning and studying. Its style is unique, very decorative. His unique beauty, so that people in the appreciation of the heart to produce a comfortable feeling, a great show of the charm of Chinese painting. Qing Dynasty painter Zhang Geng said: "the landscape of the river is important to the color, and the color of this color." Research on Wang Ximeng "the A Thousand Li of Rivers and Mountains "color art is one by one analysis of the color characteristics, on the one hand have helps people to understand the traditional painting techniques and better carry forward and inheritance. On the other hand, has contributed to the creation of landscape paintings of people. In order to make the study of predecessors but not imitate their predecessors, making about mountains and rivers of the landscape painting on the basis of the traditional development further, and modern standards.

Key Words: Wang Ximeng;"the A Thousand Li of Rivers and Mountains";color;Blue and green;decorative

目  录

摘要I

AbstractⅡ

目录Ⅲ

一、综述1

二、王希孟《千里江山图》设色特点的研究1

(一)大青绿设色1

(二)继承传统设色论中的随类赋彩法2 

(三)具有北宋青绿山水勾皴与染色特点2

(四)色彩关系精简3

(五)颜色艳丽富有装饰性4

三、王希孟《千里江山图》设色艺术的启示4(一)王希孟设色技法的运用5

(二)有关设色艺术的感悟5

参考文献6

附图7 

一 综述

中国山水画,从画的颜色上我们可以分为两类,一类是设色山水它包括青绿山水、金碧山水、浅绛山水,其中青绿山水又有大小之分;另一类是不设色的山水它出现在设色山水之后,是单纯的只用墨色来表现山水画,王希孟的《千里江山图》是类属于设色山水中的大青绿山水。

青绿山水是中国传统山水画中比较成熟的早期绘画,属于工笔重彩类,它的设色及其丰富,在画面里将自然中的山水用石青、石绿等颜色进行塑造,色彩华丽明艳,可谓是山水画的鼻祖。它最早的记载便是隋朝展子虔的《游春图》(图一),《游春图》设色古艳具有装饰意,可谓是开青绿山水之源,对唐宋青绿山水的发展产生了深远的影响。

承接前人的影响,青绿山水发展到宋代时,设色更为光彩夺目,人们多追求能体现富贵艳丽的画面。因此在这种社会环境下,便造就了王希孟与他的《千里江山图》。世人观赏《千里江山图》无不惊艳于它夺目的色彩,它把设色山水色彩的魅力展现的可谓是淋淋尽致,让人们感受到设色的艺术。 从《千里江山图》探析王希孟青绿山水画的设色艺术:http://www.youerw.com/yishu/lunwen_53381.html

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