摘    要 戏曲是中国古代民间最受欢迎的文学样式，它发展至明代迎来了繁荣并演化出传奇这一戏曲样式。其中，《六十种曲》是迄今为止流传最广、影响最大的明传奇选本。其所选作品皆为明代盛演不衰的剧作，对于反映明代政治历史风貌，揭露明代社会黑暗，研究传统封建伦理道德、窥探明人的思想解放与个性自由有着极为重要的价值。因《六十种曲》架构庞大，故本文拟从荷囊这一明人日常生活必须的小物切入，分析其在明传奇中起到的意象功能。90319

全文共分四个部分：

一、荷囊的历史渊源。通过对荷囊起源的追溯，研究荷囊具体名称与社会功能的流变，并通过对其他文学样式中荷囊意象的分析，为下文研究《六十种曲》中的荷囊意象提供依据。

二、《六十种曲》中的荷囊意象透视。从民间的日常风俗，到明士人的政治理想，以及明代才子佳人对于爱情的寄托，荷囊意象阐释了物质与精神双重内涵。

三、《香囊记》中的荷囊意象。该剧中荷囊勾连全剧，作为重要砌末起承转合，并寄托了作者邵璨对于明初伦理教化表达的需求。

四、荷囊与女性意识的觉醒。荷囊作为女红的集中展示，与明代女性形象密不可分。透视荷囊意象，我们可以窥得明代女性地位、女性心理情感以及女性渴望自我言说和个性解放的时代呼声。

Abstract

Chinese traditional opera is one of the most popular literature styles in ancient folk society of China。 Its continuous development greeted its prosperity in Ming Dynasty and eventually evolved a unique opera form, Ming legends。 Among them,。 "Sixty Operas" is by far the most popular Ming legend with quite a far-reaching influence。 All of those works included kept being played in Ming dynasty。 They are of extremely vital value in reflecting the political history, exposing the darkness of Ming Dynasty, studying traditional feudal ethics of Ming dynasty and spying upon its people's liberal thoughts and unrestrained personalities。 Because of the huge structure of "Sixty Operas", this essay will start with pouch, which is a small but necessary object for Ming people, and analyze the image function of Ming legends。

The paper is pided into four parts:

Firstly, the historical origin of pouch。 By ascending the origin of pouch, this essay studies on the changes of the specific names and social functions of the pouch and provides some clues for the study of the pouch image, based on the analysis of the pouch images in other literature styles。

Secondly，the pouch image perspective in the "Sixty Operas"。 From the daily folk customs to scholars' political ideals and the romantic love bailment in Ming dynasty, the pouch image illustrates the connotations of both matter and spirit。

Thirdly，pouch image in opera "Xiang Nang-ji"。 In this opera, pouch bonded the whole opera as an important prop transform, as well as placed the demand of the author, Shao Can, to express the ethical education in early Ming dynasty。

Fourthly，pouch and the awakening of female consciousness。 Pouch, as a showcase of needlework,is inseparably linked to female images in Ming dynasty。 On the perspective of pouch images, we can get a glimpse of the Ming dynasty females' status, their psychological emotions and the call of times for females' longing for self speech and personality liberation。

毕业论文关键词：荷囊； 意象； 六十种曲； 明清传奇； 香囊记；

Keyword: pouch; image; Sixty Operas； drama in the Ming and Qing dynasties； Xiang Nang-ji

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