摘  要：留白对于中国画有着深远意义，在我阅读论语等儒家书籍发现，在儒家学说中讲究的是修身养性，追求的是纯粹的德、志、仁，在其思想的引导下，画家使用该技法创作时是带着空灵的心境，怀着仁爱和博爱的情怀，持有包容一切的态度。比起儒家的纯粹，留白对于道家的思想的更为贴切，因为存在对比。有白就有黑，从道德经的内容可以看出全篇常以有与无、有为与无为、生与死等对立的词汇来进行论证，而且他们之间相互联系相互转化。而画家可以通过留白来呈现出虚与实的对立，从而在画纸上映射出宇宙万物运动的规律在绘画中留白主要为了呈现作者内敛含蓄，举重若轻的主观气质通过空灵的画面来刺激欣赏者主观的无限想象力，而这种画面给人们所带来的启发，更是对他们人生观价值观的启示，是对中国传统思想文化最好的传承与发展 。90970

毕业论文关键词：留白，儒家，道家，空灵，对立 

Abstract：Blanking for the Chinese painting has far-reaching significance, I read the Analects and other Confucian books found in the Confucian doctrine in the pay attention to the integrity, is very pure German, Chi, benevolence, and white itself is such an ethereal mood for the purpose Performance, the artist used the skills will cherish the love and fraternity of the emotions, with all the attitude of tolerance。 Compared to the pure Confucianism, the blank is more appropriate for the Taoist thought, because there is a contrast。 There is white on the black, from the contents of the moral can be seen throughout the often with no, promising and inaction, life and death and other vocabulary to argue, and their mutual transformation between each other。 And the painter can show through the blank to show the virtual and the real opposition, and thus in the paper on the map of the law of the movement of the universe in the painting in order to show the author's introverted implicit, weightlifting subjective temperament through the ethereal picture to stimulate the audience Subjective infinite imagination, and this picture to the people brought about by the inspiration, but also on their values of life inspiration, is the best of traditional Chinese culture and cultural heritage and development。90970

Keywords：Blank,Confucianism ,Taoist,Ethereal,opposition

毕业论文独创性声明

本人郑重声明：

本论文是我个人在导师指导下进行的研究工作及取得的研究成果。本论文除引文外所有实验、数据和有关材料均是真实的。尽我所知，除了文中特别加以标注和致谢的地方外，论文中不包含其他人已经发表或撰写过的研究成果。其他同志对本研究所做的任何贡献均已在论文中作了明确的说明并表示了谢意。

作者签名：          

   日    期：            

目  录

1。引言1

2。中国画留白的含义1

3。留白的哲学意蕴1

3。1儒家文化的影响1

3。2道家文化的影响2

4。留白与中国画的意境3

4。1诗与画的意境哲学3

4。2计白当黑的哲学意蕴4

5。留白对意境的拓展5

结语7

参考文献8

致谢9

1。引言来自优I尔Y论S文C网WWw.YoueRw.com 加QQ7520~18766

众所周知中国画本身历史悠久，最早的中国画体现在旧石器时代的陶器上，到了战国时期出现了帛画，而随着两汉魏晋等朝代的分裂与统一，文化与文化之间不断相互碰撞，中国画便逐渐形成了自己的独特体系，而留白在中国画的表现形式上有着独特的地位，本文会从留白的含义出发，进一步深入到留白的哲学意蕴中去，通过思想文化对留白的影响来阐述哲学与留白之间的关系，最后再联系作品进行分析理解。