The critical realistic writers, on the one hand re-initiated realism in the 18th century, on the other hand they took up the criticism of society, safeguarded the people’s interests. Although their point of view and style of writing varies, they were all concerned about the majority of people in common life and destiny, hated the inhuman social institutions, and degraded social morals, the prevalence of money worship and large areas of poverty. They worked on a true portrayal of people’s lives and the relentless criticism of the social system aroused public awareness and social development. Victorian literature, a true reflection of reality and the spirit of the times, reflected the high level of energy, down to earth spirit, good humor and unconstrained.
Oliver Twist opens with a bitter invective directed at the nineteenth-century English Poor Laws. These laws were a distorted manifestation of the Victorian middle class’s emphasis on the virtues of hard work. England in the 1830s was rapidly undergoing a transformation from an agricultural, rural economy to an urban, industrial nation. The middle class had achieved an economic influence equal to, if it is not greater than, that of the British aristocracy.
In the 1830s, the middle class clamored for a share of political power with the landed gentry, bringing about a restructuring of the voting system. Parliament passed the Reform Act, which granted the right to vote to previously disenfranchised middle-class citizens. The middle class was eager to gain social legitimacy. This desire gave rise to the Evangelical religious movement and inspired sweeping economic and political change. The sentiment behind the Poor Law of 1834 reflected these beliefs. The law allowed the poor to receive public assistance only if they lived and worked in established workhouses. Beggars risked imprisonment. Debtors were sent to prison, often with their entire families, which virtually ensured that they could not repay their debts. Workhouses were deliberately made to be as miserable as possible in order to deter the poor from relying on public assistance. The philosophy was that the miserable conditions would prevent able-bodied paupers from being lazy and idle bums.
In the eyes of middle-class English society, those who could not support themselves were considered immoral and evil. Therefore, such inpiduals should enjoy no comforts or luxuries in their reliance on public assistance. In order to create the misery needed to deter immoral idleness, families were split apart upon entering the workhouse. Husbands were permitted no contact with their wives, lest they breed more paupers. Mothers were separated from children, lest they impart their immoral ways to their children. Brothers were separated from their sisters because the middle-class patrons of workhouses feared the lower class’s “natural” inclination toward incest. In short, the state undertook to become the surrogate parents of workhouse children, whether or not they were orphans. Meals served to workhouse residents were deliberately inadequate, so as to encourage the residents to find work and support them.
    Because of the great stigma attached to workhouse relief, many poor people chose to die in the streets rather than seek public aid. The workhouse was supposed to demonstrate the virtue of gainful employment to the poor. In order to receive public assistance, they had to pay in suffering and misery. Victorian values stressed the moral virtue of suffering and privation, and the workhouse residents were made to experience these virtues many times over. 论社会对《雾都孤儿》主人公的负面影响(3):http://www.youerw.com/yingyu/lunwen_11695.html