摘要电视剧作为大众文化的传播载体之一，与人们的生活有着紧密联系，而抗日题材影视剧作为我国电视荧屏中的典型，代表着人们对历史的铭记，对战争的理解和思考。但进入新时期以来，由于市场经济、大众文化兴起等因素的影响，再加之电视台的体制改革、电视剧市场的飞跃发展，抗日题材影视剧过度娱乐化现象愈发明显，市面上出现了越来越多的不具备文化传播价值的“神剧”、“雷剧”，具体表现为内容情节武侠化、奇幻化，主题言情化、类型化、模式化，人物塑造传奇化、夸张化、偶像化等。72131

    在探寻抗战剧娱乐化现象背后的逻辑时，可以发现这一现象不是受某一个单方面因素的影响而出现的，而是多个因素共同推动的结果。全球商品经济发展所导致利益驱动、西方文化的影响背景下大众文化的需求、政策的规制和引导、以及文艺自身的发展规律等都是新时期抗战剧过度娱乐化的制导因素，这种过度娱乐化产生的副作用不容小觑，一方面，从艺术本身来说，它模糊了艺术标准，降低了艺术含量；另一方面，它向受众变向传播暴力，使受众对战争的认识产生偏差，背离了社会主流价值观，极易引发民族认同危机。

大量与历史不符的抗日题材电视剧的泛滥，是对近现代抗战史的一种不负责任的“娱乐性消费”，将对没经历过抗日战争的现代人产生错误的引导。

要改变这种现状，就是要从价值观上加以引导，去除政策主导，在审美制度上严格把关，提高艺术准许门槛，培养艺术精品意识，在满足大众审美需要的前提下，进行艺术创新。

毕业论文关键词：抗日题材； 影视剧； 过度娱乐化； 社会后果 

abstract As one of the TV carrier spread of popular culture，and people's lives are closely linked，and as China's anti-Japanese Movies and TV drama typical television screens，on behalf of the people of history，bearing in mind，understanding and thinking of the war。 However，since the new period，due to the impact of commodity market economy，the rise of popular culture and other factors，coupled with the television system，the rapid development of the TV market，the anti-Japanese Movies and TV drama excessive entertainment phenomenon becoming increasingly apparent，the market appeared increasingly the more do not have the value of the spread of culture "oratorio"，"Ray drama" specific performance content plot martial arts-based，fantasy-oriented theme romance of，typing，modeling，characterization Legends，sensationalized idol Wait。

    When the war drama to explore the logic behind the entertainment phenomenon，this phenomenon can be found not affected by a certain factor in the emergence of unilateral，but a plurality of body jointly promote the results。 Global commodity driven economic development benefits resulting from the demand under the impact of Western culture background of popular culture, regulation and policy guidance, as well as literary own law of development, are all the new period drama War excessive entertainment guidance factors, such excessive entertainment Side effects of the produce can not be underestimated, on the one hand, from the art itself, it obscures the artistic standards, reducing the artistic content; on the other hand, it becomes the audience to spread violence, so that the audience's understanding of the war bias, departing the social mainstream values, can easily lead to national identity crisis。 

    A large number of discrepancies with the history of the spread of anti-Japanese TV dramas，is a near contemporary history of the war irresponsible "entertainment consumption，" would not have experienced the War of Resistance modern misleads produce。