摘 要《雨人》和《海洋天堂》两部影片都以自闭症患者家庭为表现对象，表现出亲情的美好与力量。但两部电影的亲情切入点却截然不同。本文通过对比分析法,分析中西方电影表达亲情的切入点的差异,希望能帮助读者透彻地理解两部电影,充分领会电影折射出的不同的中西方文化。83670

毕业论文 关键词：切入点；亲情；《雨人》；《海洋天堂》 

Abstract Rain Man and Sea Heaven target at the family of people with autism, and show the power of family affections。 But the penetration points of the family affection in the two films are totally different。 Through the comparison analysis method, this paper aims to find out the differences of penetration point of family affection in Chinese and Western movies。 The paper is designed to help readers understand the two movies profoundly and appreciate different Chinese and Western culture reflected in the two movies。

 Key words: penetration point; family affection; Rain Man; Sea Heaven

Contents

摘要。。。i

Abstractii

I。 Introduction。。。1

II。 An Overview of Sea Heaven and Rain Man。。3

2。1 The Background and the Outline of Sea Heaven。。3

2。2 The Background and the Outline of Rain Man4

III。 The Penetration Points of Family Affection of the Two Movies。。6

3。1 The Style of Movie。。。6

3。2 The Selection of Scenario。。。7

3。3 The Character Relationship of Movie8 

3。4 The Analysis of Characters。9

3。5 The Conflict of Contradictory10

3。6 The Way of Affection Expression。。。。12

IV。 Conclusion。。。14 Bibliography。。15Acknowledgments。。16

An Analysis of the Differences of Penetration Point of Family Affection Expression Between Chinese and Western Movies  — Taking Sea Heaven and Rain Man as an Example

I。 Introduction

Because of the big differences between Chinese and Western national history, social system, social ideology, cultural structure, the spiritual temperament, and folk customs, etc, there are many differences between the Chinese and Western movie, such as the space designs, character modeling designs, the construction of screen color and artistic treatment, etc。文献综述

Many scholars at home and abroad have done researches on the above differences, which can be concluded as follows。 In terms of space designs, the living space and activity environment in Western movies are always open and large, the whole structure is relatively simple, however, the gradation of the scene and construction form are more complex with strong adornment。 In Chinese movies, the living space and activity environment of the character are relatively small and closed, compared with Western film, and the decoration of material space is elegant and delicate, or full of national life interest, and implication。 In terms of character modeling design, the makeup, modeling and clothing are generally concise and lively in Western movies, the constitution inpidual color and the clothing style are monologue, adornment effect is very strong, the contrast between the figures is concrete, bright and have strong modern consciousness。 The character modeling is complicated in Chinese movie, which emphasizes harmony in contrast as well as the contrast in harmony, the color structure, especially that of classical history films, is complicated with rich meaning。 In terms of screen color construction and art treatment, Western films pay attention to the meaning expression of the whole tone, the subjective consciousness of color of the artists and their romantic color concepts, which make the screen color effect combine with the character’s emotion and psychology, so as to achieve realism。 In Chinese films, there is more documentary color, less content with romantic color, to build pursuing environment in realism。 来:自[优E尔L论W文W网www.youerw.com +QQ752018766-