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摘要中国画历史悠久，源远流长，经过了长久的历史变迁，借物咏怀，体现出了我们国家的民族文化与审美，悠久的历史变革，最终造就了精工细丽的“工笔”与洒脱洗练的“写意”两大样式，还有“没骨”、运墨的水墨和“白描”，在世界绘画艺术中独树一帜。49368
工笔画以工整细致的刻画、准确的造型和精微的色彩进行严谨的创作 ，其作品呈现工整、工细与工丽的画风。工笔画以“工”为特征，刻画工细，以工笔人物和工笔花鸟为主。而人物画作为中国画发展与成熟最早的画种，就是我此次创作与论文的主要方向。而造型作为工笔人物画最重要的艺术特点之一，也是我的论文及创作主要想讨论的地方。
而本文的造型研究主要是研究工笔人物的写实造型，通过对工笔人物造型的发展过程以及人物造型在历史上的不同改变，来研究工笔人物的造型，同时，写实造型也包含意象性，所以，此次创作的重点就是在写实造型的基础上加上意象的思想。
本文一共分四个部分，一、工笔画概述；二、工笔人物写实造型的发展；三、我的创作过程与感悟
毕业论文关键词：工笔人物；写实；造型； 创作
Research on realistic modeling of realistic figure
Abstract
Chinese painting has a long history, has a long history, after a long historical vicissitude, borrow things chanting, reflecting the national culture of our country and aesthetic, long historical changes, eventually creating a "meticulous" Seiko fine beautiful and clear succinct "freehand" two big style, and "boneless", ink, ink, and straightforward style of writing, in the world the art of painting is unique.
Painting with neat and meticulous depiction, accurate modeling and subtle colors are rigorous creation, his works present neat, exquisite and beautiful style. Painting to "work" for feature portray exquisitely, the brushwork and meticulous flowers and birds. And figure painting as Chinese painting development and maturation of the earliest painting is my the creation and the main direction. And modeling the meticulous figure paintings of the most important art feature of and my thesis and creation mainly want to discuss the place.
And the modeling study is mainly of fine brushwork figure realistic modeling. Through the development process of traditional Chinese realistic figure modeling and figures in the history of changes, to study the shape of the fine brushwork figure. At the same time, realistic modelling also includes image. So, the creation of the key is on the basis of realistic modeling and image thinking.
This paper is pided into four parts, one, the development process of meticulous painting; two, the development of realistic painting realistic modeling; three, realistic modeling of the image; four, my creation
Key words: Chinese painting; modeling; the development of modeling; image; creation
目 录
摘要-1
Abstract-Ⅱ
目录Ⅲ
一、工笔画概述1
（一）工笔画的开启-1
（二）工笔画的发展-1
（三）工笔画的鼎盛时期-1
（四）工笔画的式微和中兴1
（五）工笔画的新气象2
二、工笔人物的写实造型发展-2
三、我的创作过程与感悟-3
参考文献4
一 工笔画概述
（一）、工笔画的开启
战国时期长沙楚墓帛画和长沙马王堆一号汉墓出土的帛画，可以说是工笔重彩画早期的代表作。我国最早发现的人物画，1949年湖南长沙陈家大山楚墓中出土的战国时期的帛画《龙凤人物图》，全画以墨线勾描为主，只有衣袖与嘴唇上有朱色点染，同时期类似的还有《御龙图》。这时的画除了主要人物用墨线勾，稍加平涂与晕染的颜色，其他都是白描；到了魏晋南北朝时期，以顾恺之为主的文人、士大夫们越来越追求精神生活，此时的勾线技巧，就不单单是摹写物体形态了，更多的加入了画家自身对物体的理解和思想感情，从而也出现了张彦远的“密体”笔法。