摘要词始于歌宴酒席之间，作为娱乐的歌词，起初之目的为怡情。但词至李后主口中，其眼界始大，感 慨遂深；及至晏殊，虽表面上亦难免为伤春悲秋，相思离别之作，却有别于温庭筠、 韦庄之词，而颇 显理性，呈现出一种圆融的观照之趣，表现出词人的修养及意趣。而到了苏轼，这种“情理圆融”又得 到了进一步的拓展深化。“情理圆融”之特征一反当时纤弱靡丽的诗词之风，是对宋代理学兴起，禅风 流行的时代特征的反映，同时也具有重要的进步意义，对后世的诗词之风产生了深刻的影响。本文试从 三位具有代表性的词人：李煜、晏殊及苏轼的作品出发，从发展性思维、整体性思维等角度来探讨“情 理圆融”的发展创作过程以及特征。89076

Ci begins with the historical records as an entertainment feast, the lyrics, initially intended to cheer。But when it came to Li Yu, the vision of Ci was larger, and feeling was deeper;As it for YanShu,although on the surface of Ci is still for the sad springs and Autumns ,Love and parting,but it was still different from the Ci of WenTingyun and Wei Zhuang。It is quite rational, showing a perfect reflection of interest ,accomplishment and charm。 As for SuShi, the "reasonable harmony" of Ci has been further expanded。The Features of "Reasonable harmony" was Contrary to that pompous style of Ci, is the rise of Neo Confucianism in Song Dynasty, which reflects the Zen popular, and it also has important significance of progress, having a profound influence on the later tendency of the poems。This paper attempts from three representative poets: Li Yu, Yan Shu and Su Shi's works, from the perspectives of developmental thinking and holistic thinking ,talking about the development process and characteristics of creation of "reasonable harmony" 。

毕业论文关键词：佛学；情理圆融；“隔”与“不隔”；整体性思维；

Keyword: Buddhism; Natural harmony;"it" and "not separated"holistic thinking;

目 录

摘要„    1

引言„    3

一、圆融的缘起 3

二、“情理圆融”的发展 3

（一）李煜词：春花秋月何时了„3

1、真率自然与深情寄托„ 4

2、真率之中显“不隔” 4

3、后感性之中寄深情„ 4

4、亡国之音哀以思„6

（二）晏殊词：不如怜取眼前人8

1、清疏俊逸，珠圆玉润8

2、小园香径独徘徊8

3、愈发浓厚的深情与理性思致：不如怜取眼前人10

（三）苏轼词：一蓑烟雨任平生11

1、苏轼的生平与“圆融”11

2、情理圆融，旷达超脱„12

3、出世与入世的矛盾消解与超越：一蓑烟雨任平生13

三、结语14

参考文献„15

致谢„16

佛教对于文学的影响，近些年来一直为学界所关注。自佛教传入我国后，我国传统的古代学术史、、 哲学史、艺术史等都受到了一些深远巨大的影响。唐末之时，“圆融”这一范畴开始被融汇至文学中， 及至宋元，已被广泛运用于文学以及理学当中。“圆融”这一范畴对于中国古代诗词学中的整体性思维 以及辩证性思维都产生了深远的影响。其中，“情理圆融”这一特点又为唐宋词的发展注入了新的活力。源Y于U优I尔O论P文W网wwW.yOueRw.com 原文+QQ75201-8766

一、圆融的缘起 在我国古代浩如烟海的诗词卷帙当中，有许多范畴的形成都与佛教有着不可分割的关系。这些范畴

有很多都来源于佛教，在诗词学当中应用广泛，可以说诗词学与佛教有着很深的渊源，其中的“圆融”