摘    要江南的代表作品《龙族》能够在庞杂的幻想文学中脱颖而出，在销售上取得巨大的成功，离不开其成熟的“代入式”叙事策略。“代入式”叙事，即指作者针对特定的读者群建构文本，使读者得以迅速将自己代入故事中的角色，获得“身临其境”之感，并能动的参与到文学本文之中，实现读者与本文的双向呼唤。在《龙族》中，作者运用“青春+幻想”的叙事结构，“双面型”的人物塑造，充满悬念和巧合的叙事技巧，细腻、煽情、感官化的叙述风格，营构了一个极具“代入感”的故事。从接受美学的角度来看，《龙族》的这种“代入式”叙事策略以熟悉网络，ACG等亚文化的都市男性青少年为“选定读者”，符合这一特定读者群的期待视野，满足了读者突破心理空间、自我实现的诉求。“代入式”的叙事策略表现出的良好的接受效果，感觉化的审美体验，重视读者审美接受的叙事理念对传统文学的叙事也有一定的借鉴意义。同时也面临着容易丧失艺术活力、排斥“非选定读者”并最终演变为“为读者而写作”的困境。88962

abstract Jiangnan's representative work, Dragon, cannot emerge from a variety of Fantasy Literature and achieve great success in sales without its mature Substitution Narrative Strategy。 Substitution narration means that the author constructs text for a special group of readers, and creates an immersive experience for them。 It makes those readers to actively participate into the story, and realizes a reciprocal response between readers and the text。 In the Dragon, the author creates a story that has much sense of substitution narration, using narrative structure of youth and fantasy, characterization skill of double-sided moldling, narrative technique that is full of suspense and coincidence, and narrative style that is delicate, sensual and sensational。 From the perspective of Reception Aesthetics, Dragon's substitution narrative strategy aims at urban male adolescents as its main readers, who are very familiar with the subculture, like network and ACG。 The strategy suits the expecting field of those readers, and meets their demand to breakthrough psychological space as well as self realization。 Substitution narrative strategy shows a good reception effect, sensual aesthetic experience, and the value of concept of the reader's aesthetic acceptance, which has certain reference significance to the narration of Traditional Literature。 However, it also faces some difficulties that it is easy to lose artistic vitality, and the rejection of non-selected readers may finally be changed to writing for selected readers。

毕业论文关键词：江南； 《龙族》； 代入式； 叙事策略源Q于D优G尔X论V文Y网wwW.yOueRw.com 原文+QQ75201`8766

Keyword: JiangNan； DRAGON； Substitution； Narrative strategies

目录

一 前言 3

二 《龙族》的“代入式”叙事策略的构建 3

（一） 叙事结构：青春+幻想 4

（二） 人物塑造：“双面型”人物塑造 6

（三） 故事设置手法：悬念、巧合 9

（四） 叙事风格：细腻、煽情、感官化 10

三 《龙族》的“代入式”叙事策略的产生原因 13

（一） 满足“选定读者”的期待视野